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Louis Icart Speed 1927 Woman with greyhound dogs on the leash.
Louis Icart, a French artist known for his elegant and sensual Art Deco etchings, created Speed in 1927. This piece embodies the sleek, dynamic energy of the Roaring Twenties, capturing the thrill of modernity and motion....Regular price From $31.68 -
Edmund Dulac Tanglewood Tales illustration. Circe’s Palace.
Sirens perched atop a rocky height, their flowing forms silhouetted against sky and sea, while a distant ship sails below—drawn irresistibly toward their music. Edmund Dulac’s illustrations for Tanglewood Tales (1918), Nathaniel Hawthorne’s retelling of Greek...Regular price From $20.40 -
Sindbad the Sailor The Arabian Nights One Thousand and One Nights illustration by Leon Carre
The Tale of Sindbad the Sailor. It is a gigantic whale This is the "inciting incident" of Sindbad's lifelong adventures: The Illusion: After setting sail from Basra, Sindbad and his fellow merchants find what they believe...Regular price From $20.40 -
Kay Nielsen Arabian Nights illustration The Tale of the Second Dervish
This illustration from Arabian Nights (1926) represents The Tale of the Second Dervish, one of the layered stories told in the Arabian Nights. Executed in watercolor and ink, Nielsen’s composition is richly decorative, featuring elongated figures,...Regular price From $27.29 -
The Arabian Nights One Thousand and One Nights illustration by Léon Carré
The Story of Douce-Amie. Ali Nur threw himself at the side of Douce-Amie “The Arabian Nights (One Thousand and One Nights)” illustration by Léon Carré is part of the celebrated 1920s illustrated edition of the Middle...Regular price From $20.40 -
John Bauer illustration for the fairy tale The Boy and the trolls by Walter Stenstrom.
John Bauer created an illustration for the fairy tale “The Boy and the Trolls” (text by Walter Stenström) in the early 1900s for the Swedish annual Bland tomtar och troll (Among Gnomes and Trolls). Executed in...Regular price From $23.28
What the illustrator adds is not just what is seen, but what is felt."
— Maurice Sendak
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